Alright, so, I’m sitting in public and I’m mouthing the words to one of my favorite songs. And some woman looks at me and although her face doesn’t contort into any sort of reaction, I know some part of her finds me silly. Which is perfectly okay. Moving your mouth without saying anything is silly. Whether you see it as borderline-crazy-person silly or borderline-happy-person silly is up to you.
But, listen, woman with the Samsung laptop and no beverage, the song’s playing, my favorite part is coming up, and keeping my lips pressed together feels so much sillier to me. The words are there, just another repetition of the chorus away, right at the start of the next verse, and listen, I know the words perfectly, even if I can’t sing them as well as he can, or even if I don’t always get the timing right. But not mouthing them is like turning the volume all the way down until the song no longer exists. Not mouthing them is ridiculous, it’s not having dessert when it’s right there in front of you, not telling someone you love them when you love them, not jumping naked into an abandoned ocean when you really want to, just because you are afraid of the idea of its inherent silliness, blushing naked in the dark, silly beyond silly. Songs are meant to be sung by more than just the people who wrote them.
Someday, when I’m a little sillier, a little crazier or a little happier, I’ll sing them out loud too, with the full power of my unskilled vocal chords, always, not just in the shower or in my car or when I’m walking and there aren’t too many people around, but always, always, like the men in New York City who unabashedly talk to flowers.


